Sarah Polley
Urban
Lions Gate
PG-13
"I'm going," says a lovely, understated Julie Christie, in a heart-wrenching moment of recognition that Alzheimer's is slowly descending on her. "But I'm not gone." "Away from Her", the directorial debut of young Canadian actress Sarah Polley, allows two themes--the growth of love, and the limits of the mind--to intertwine, uplift, fall, and rise again, throughout its arc. What should be relentlessly depressing is instead a film of great courage, humor, defiance--and a quality that Christie's character, Fiona, calls out in another defining moment: grace.
"Away from Her" chronicles a love story between Fiona and her longtime husband, Grant, played with bearlike stolidity by Gordon Pinsett, as the couple struggle with the onset and acceleration of Fiona's Alzheimer's disease. Moments of lucidity and wry observation pepper Fiona's decline, and Christie gives an unforgettable performance as a woman who is both ordinary and singular to those whom she's touched. The story is set against a frigid Canadian winter, with fields of snow as a background underscoring the bleakness of Fiona's diagnosis; yet life is constant and surprising, in the call of a meadowlark or the resurrected memory of a skunk lily. A scene of Fiona out for her daily cross-country ski shows Christie's gorgeous, sensual face in closeup against the snow, framed by a babushka, reminding the viewer of a similar scene of the decades-younger Christie in "Dr. Zhivago". It's impossible not to be touched by the gifts of this extraordinary actress, through the life of this everywoman, whose very presence is shot through with grace. "--A.T Hurley"

David Dobkin
Comedy
New Line Cinema
R
Divorce mediators John Beckwith and Jeremy Grey are business partners and lifelong friends who share one truly unique springtime hobby--crashing weddings! Whatever the ethnicity of the wedding party--Jewish, Italian, Irish, Chinese, Hindu--the charismatic and charming duo always have clever back stories for inquisitive guests and inevitably become the hit of every reception, where they strictly adhere to their proven rules of wedding crashing to meet and pick up women aroused by the very thought of marriage. At the tail end of another successful season of toasting brides and grooms, Jeremy learns that the daughter of Treasury Secretary William Cleary and his wife, Kathleen, is getting married in what is sure to be the Washington D.C. social event of the year. After infiltrating the lavish affair, John and Jeremy quickly set their sights on two bridesmaids, Claire and Gloria Cleary. With the lavish reception in full swing, Jeremy works his game plan to perfection in seducing Gloria, but John's flirtation banter with Claire is unexpectedly impeded by her pompous, Ivy League boyfriend Sack. Having uncharacteristically fallen hard and fast for Claire, John convinces a resistant Jeremy to bend the crashing rules and accept an invitation to an extended weekend party at the Cleary family compound. Once at the palatial waterfront estate, John and Jeremy endure a multitude of comical mishaps at the hands of the dysfunctional members of the Cleary family, but also learn a few unexpected lessons about love and relationships.

Philip Groning
Documentary
Arte
NR
Nestled deep in the postcard-perfect French Alps, the Grande Chartreuse is considered one of the world s most ascetic monasteries. In 1984, German filmmaker Philip Gröning wrote to the Carthusian order for permission to make a documentary about them. They said they would get back to him. Sixteen years later, they were ready. Gröning, sans crew or artificial lighting, lived in the monks quarters for six months filming their daily prayers, tasks, rituals and rare outdoor excursions. This transcendent, closely observed film seeks to embody a monastery, rather than simply depict one it has no score, no voiceover and no archival footage. What remains is stunningly elemental: time, space and light. One of the most mesmerizing and poetic chronicles of spirituality ever created, INTO GREAT SILENCE dissolves the border between screen and audience with a total immersion into the hush of monastic life. More meditation than documentary, it s a rare, transformative experience for all.

Richard Hatch, Jay Woelfel
Drama
Sci-Fi Channel, The

"Battlestar Galactica"'s season 2.5 (i.e., the final 10 episodes of the second season, plus an extended version of episode 10) picks up where season 2.0 (the first 10 episodes) left off: "Galactica"'s giddy reunion with the "Pegasus" had taken a sour turn when Admiral Cain (Michelle Forbes) went back on her word to Commander Adama (Edward James Olmos) and decided to integrate the crews, moving Apollo (Jamie Bamber) and Starbuck (Katee Sackhoff) to "Pegasus". The animosity, combined with an attack on Sharon (Grace Park), threatens to derail a golden opportunity for the fleet to strike the Cylons where they'll hurt, and stay hurt--their resurrection ship.
In many ways, Sharon is the central character. The attack lands Helo (Tahmoh Penikett) and the Chief (Aaron Douglas) in hot water; her impending baby remains the subject of heated debate among president Laura Roslin (Mary McDonnell), Commander Adama, and others; and a rebellious movement determined to force "Galactica" to give up the Cylon ends up threatening both Apollo and Starbuck and putting further strain on their already-shaky relationship. Dr. Baltar (James Callis) becomes even more intertwined with the Cylons when he discovers another version of Number Six (Tricia Helfer) on the "Pegasus", but is also in line to take over the presidency as Roslin's cancer reaches a critical stage. "Battlestar Galactica"'s inexorable dramatic arc sagged in a couple episodes during this run, but the terrific two-part season finale involving a presidential election, a glimmer of hope for humanity, and some unexpected turns of events makes for a thrilling springboard to season 3. "Battlestar" is often called the best sci-fi show on television, but that seems like damning it with faint praise; it's the best "drama" on television.

Gabrielle Muccino
Biography
Columbia Pictures Corporation
PG-13
Chris Gardner has big dreams for him and his family but it doesn't seem to come together for him. Chris has an opportunity to be a stock broker but first he has to go through a grueling internship which means no pay. Chris decides to do it but when his wife leaves and he is evicted, he has to take care of his son on his own. So they find themselves sometimes living on the street and struggling to get by. But Chris is determined to make it.

Gaston Biraben
Drama
Koch Lorber Films
Unrated
Cristina's life is thrown into turmoil when she is suddenly escorted from her strict Catholic school in Buenos Aires and told that she is really Sofía Lombardi, the daughter of activists who disappeared in the '70s. Questioning everything she once thought true, Cristina embarks on a journey to find her true identity. Meeting others like herself, the young girl soon discovers the real-life horrors of Argentina's relatively recent past and the nightmare that claimed tens of thousands of lives during the country's "dirty war."

Florian Henckel von Donnersmarck
Drama
Arte
R
The horrifying, sometimes unintentionally funny system of observation in the former East Germany. In the early 1980s, the successful dramatist Georg Dreyman and his longtime companion Christa-Maria Sieland, a popular actress, are big intellectual stars in the socialist state, although they secretly don't always think loyal to the party line. One day, the Minister of Culture becomes interested in Christa, so the secret service agent Wiesler is instructed to observe and sound out the couple, but their life fascinates him more and more...

Claude Berri
Drama
DD Productions
PG
In this, the sequel to Jean de Florette, Manon (Beart) has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She determines to take revenge upon the men responsible for the death of her father in the first film.

Claude Berri
Drama
DD Productions
PG
In a rural French village an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, so are dismayed to hear the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter's hearts they think only of getting the water.

Susanne Bier
Drama
DreamWorks Pictures
R
"Dad, what does 'fluorescent' mean?" asks a winsome young Dory of his doting dad, played by David Duchovny. Pondering a moment, dad answers, "It means, 'lit from within." "So Dad, am "I" fluorescent?'" "Yes, Dory, you are." The touching, brief moment telegraphs the bond Duchovny's character, Brian, has with his family, including wife Audrey (Halle Berry) and daughter Harper (Alexis Llewellyn), and the love that radiates through and around him. When tragedy strikes early in the film, Berry and the children must acknowledge, and somehow heal, the hole left in their lives. And in that human effort, so little explored in American films, "Things We Lost in the Fire" holds a luminous candle to the hope left in life--sometimes when all that seems to be left is hope. Directed by the talented Danish director Susanne Bier ("Brothers"), "Fire" is allowed to unfold almost in real time as grief washes over the family, and Berry gives one of her most memorable performances, captured mostly in tiny details that will hit the viewer in the soul. Her eyes, the carriage of her head, her slim shoulders appearing to buckle under the weight of her sorrow--Berry is well directed here and shows that her performance in "Monster's Ball" was no fluke. As she begins to connect with Brian's childhood friend Jerry (Benicio Del Toro), a new family web is woven--irregular, to be sure, but strong and comforting. Other affecting performances are given by the talented charater actor John Carroll Lynch, as Brian's friend and neighbor, and by the heartbreaking Llewellyn, an actress of stunning range for a child so young. "Things We Lost in the Fire" holds a torch in the deepest darkness, and lets souls connect--a rare gift indeed. --"A.T. Hurley"