Library
Sorted By: Last Seen
DVDs in Collection: 741 Page # 53 / 75
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75
David Cronenberg
Art House & International
New Line Productions
R
On the surface, David Cronenberg may seem an unlikely candidate to direct "A History of Violence", but dig deeper and you'll see that he's the right man for the job. As an intellectual seeker of meaning and an avowed believer in Darwinian survival of the fittest, Cronenberg knows that the story of mild-mannered small-town diner proprietor Tom Stall (Viggo Mortensen) is in fact a multilayered examination of inbred human behavior, beginning when Tom's skillful killing of two would-be robbers draws unwanted attention to his idyllic family life in rural Indiana. He's got a loving wife (Maria Bello) and young daughter (Heidi Hayes) who are about to learn things about Tom they hadn't suspected, and a teenage son (Ashton Holmes) who has inherited his father's most prominent survival trait, manifesting itself in ways he never expected. By the time Tom has come into contact with a scarred villain (Ed Harris) and connections that lead him to a half-crazy kingpin (William Hurt, in a spectacular cameo), Cronenberg has plumbed the dark depths of human nature so skillfully that "A History of Violence" stands well above the graphic novel that inspired it (indeed, Cronenberg was unaware of the source material behind Josh Olson's chilling adaptation). With hard-hitting violence that's as sudden as it is graphically authentic, this is "A History of Violence" that's worthy of serious study and widespread acclaim. "--Jeff Shannon"
Scott McGehee, David Siegel
Drama
Bee Season Productions Inc.
PG-13
11-year-old Eliza Naumann comes from an odd family; they all divert their emotional frustrations into secret channels. When Eliza unexpectedly begins winning spelling bees, what had been a stable dynamic within the family becomes disrupted; long held secrets emerge, and a latent spiritual yearning is awakened in her withdrawn father Saul and compulsive mother Miriam. As Eliza moves closer and closer to the national spelling bee, the Naumann family finds itself in a spiral of surprising discovery and jarring uncertainty...
Robert Mulligan
Drama
Metro-Goldwyn-Mayer (MGM)
PG-13
Rural Louisiana, summer of 1957, Elvis is King. At 14, Dani is coming of age. Her older sister is beautiful, smart, and off to Duke in the fall; her mom's pregnant with number four (dad wants a son), and dad's pretty strict. Life gets sweeter when 17-year old Court Foster, his widowed mom, and little brothers move into the vacant farm next door. Court likes Dani's high spirits and direct way, and though he has a man's responsibilities on the farm, they go off swimming sometimes. The waters of adolescence are deeper than Dani realizes as hers and Court's feelings get jumbled. Then Mother Nature throws wrenching surprises at Dani, and she must come to terms with new emotions.
Philip Kaufman
Drama
The Saul Zaentz Company
R
Tomas is a doctor and a lady-killer in 1960s Czechoslovakia, an apolitical man who is struck with love for the bookish country girl Tereza; his more sophisticated sometime lover Sabina eventually accepts their relationship and the two women form an electric friendship. The three are caught up in the events of the Prague Spring (1968), until the Soviet tanks crush the non-violent rebels; their illusions are shattered and their lives change forever.
Marco Tullio Giordana
Art House & International
Miramax
R
368 minutes of Italian TV miniseries--yes, that is indeed six hours' worth--comes unspooling in "The Best of Youth", a stirring and beautiful experience. The film needs its running time to immerse us in the world of the Carati family from 1966 to near the present day. Two brothers are the primary focus: Nicola (Luigi Lo Cascio), a responsible medical student, and Matteo (Alessio Boni), a troubled soldier. After a youthful road trip, their paths diverge, but each is carried along by the changing, sometimes violent, political weather of Italy in the 1970s and '80s. Life issues surge and ebb, with the increasing sense that Matteo is a lost soul, beyond even the help of the luminous woman (unforgettable Maya Sansa) who comes into his life.
Truth be told, "The Best of Youth" has some of the limitations of made-for-TV fare, from the simplicity of its themes to its cheap-looking makeup. (Those beards are not convincing.) But by the time you've spent a couple of hours with these characters, you're deeply invested in their joys and sorrows. At that point the measured pace begins to feel like the rhythm of life, and the people onscreen a mirror of ourselves. It's probably true that the cultural references and specific historic events will have more resonance for Italians than other viewers, but everything translates. Director Marco Tullo Giordana maintains the tone by allowing details to accumulate, and the location shooting, including a stint at the cinematically rich island of Stromboli, is consistently rich (his sampling of the music from "Jules and Jim" feels like a shortcut somehow, but who could argue that the music isn't perfectly in key with the melancholy mood?). The final act delivers an emotional coup de grace that has been thoroughly earned. And you'll feel like you earned it, too, having spent six hours with this moving film. "--Robert Horton"
Joe Wright
Drama
Focus Features
PG
The story is based on Jane Austen's novel about five sisters - Jane, Elizabeth, Mary, Kitty and Lydia Bennet - in Georgian England. Their lives are turned upside down when a wealthy young man (Mr. Bingley) and his best friend (Mr. Darcy) arrive in their neighborhood.
Niki Caro
Drama
Warner Bros. Pictures
R
A semi-fictionalized account of a long legal battle of group of women miners who endured a hostile work environment and numerous and continuous insults and unwanted touching when they became the first women to go work at the Eveleth Mines in Minnesota.
Charles Crichton
Comedy
Metro-Goldwyn-Mayer (MGM)
R
Sexy American diamonds lover Wanda and her boyfriend Otto are in England to plot alongside George and Ken the robbery of a diamond collection. Wanda and Otto want the stolen diamonds for themselves, and inform the police about George not knowing that he has already moved the diamonds to another secret place. Wanda thinks the best way to find out is by getting close to George's lawyer - Archie Leach.
Jean Renoir
Art House & International
Criterion
Unrated
When speaking of Jean Renoir's timeless masterpiece "The River", one can easily exhaust their supply of superlatives. Frequently listed among the greatest films ever made, it was Renoir's first English-language film and his first in color…and what rich, astonishing Technicolor it is! Shot by Renoir's nephew Claude, the film is a love letter to India, seen through the eyes (and narrated as memories) of an adolescent British girl living with her family near the banks of the Ganges, a location which allowed Renoir to indulge his burgeoning affection for the region, it's people, and the exotic allure of the Orient. Under challenging conditions, Renoir and author Rumer Godden adapted Godden's autobiographical novel into an elegant, loosely plotted reflection on the romance of India, and on coming of age in a culture that, until then, few Western filmgoers had ever seen on screen. (To enhance this journey to a new world, Renoir used Indian music recorded live in Calcutta instead of a traditional score; the effect is hypnotically inviting.) Blessed with eternal lessons of life, death, and love, "The River" offers a transcendent film experience, guaranteed to touch the heart of anyone who sees it. The film was meticulously restored to its original glory in 2004; Criterion's DVD release preserves that restoration with a pristine digital transfer. "--Jeff Shannon"
Jennifer Abbot and Mark Achbar
Documentary
Big Picture Media Corporation
Unrated
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.